• Year of composition: June, 1780 - March, 1781 (according to van Boer)
• Work category: Opera
• Text author: Johan Henric Kellgren (1751-1795) after a sketch by Gustav III (also the French librettist Philippe Quinault's opera 'Proserpine' from 1680 has likely inspired this work)
• First performed: 1 June 1781 [probably a concert] performance at Confidencen, Ulriksdal Palace for Gustav III and the court.
  
  31 May 1980 a stage premiere performance at Drottningholm Palace Theatre. Contributors: Iwa Sörenson (Proserpin), Birgit Nordin (Ceres), Dorrit Kleimert (Cyane) et al.
• Duration: Approx. 120-180 min
• Detailed duration: 75'14 + 50'01 according to MSCD 422-423 (some parts of the opera have been excluded in the recording)

Instrumentation

2.2.2.2 / 2.0.0.0 / cont / str (2 violetta in N.7-9)

Solo voices/choir

Proserpin, Daughter of Jupiter and Ceres (soprano)
Ceres, Proserpin's mother (soprano)
Cyane/A Nymph, Proserpin's nymph (soprano)
Atis, Cyane's lover, also in love with Proserpin (tenor)
Pluto, god … Read moreof the Underworld and Jupiter's brother, also in love with Proserpin (baritone)
Jupiter, the highest god (baritone)
Mercurius, Jupiter's messenger (tenor)
A Bacchant/A Faun (tenor)

Choir of Sicilians, of Proserpin's Nymphs, Bacchantes, etc.

Soloists: 3 sopranos (Proserpin, Ceres, Cyane/A Nymph), 2(3) tenors (Atis, Mercurius, A Bacchante/A Faun), 2 baritones (Jupiter, Pluto)
Soloist ensembles: S.S.T., T.T.B., S.S.T.B.
Choirs: Female choirs (S.S.S.), (S.S.S.S.A.A.), Male choir (T.T.B.B.), Mixed choir (S.S.T.T.B.) et al. Collapse

Examples of printed editions

Musikaliskt Allehanda 2/3 (1824) [According to van Boer only the overture, in an arrangement for pianoforte by von Ebeling]
Musikaliskt tidsfördrif (1808) [No. 32a; no name of the composer]

Levande … Read moremusikarv, Stockholm 2014. Critical edition by Anders Wiklund. Collapse

Location for score and part material

According to van Boer there a transcription dated Vienna 1801 and Stockholm 1804 by Fredrik Samuel Silverstolpe and 'Silverstolpe B' [unknown copyist in Vienna working under Silverstolpe] at Uppsala … Read moreUniversity Library: Kapsel [Sleeve] 57:3a, 14 Proserpine [sic] Opera uti 1. Transcriptions also exist at Musik- och teaterbiblioteket. Collapse

• Location autograph: Musik- och teaterbiblioteket
• Possible call no. and autograph comment: Z/Sv (score)

Literature

van Boer Jr, Bertil H: Die Werke von Joseph Martin Kraus. Systematisch-thematisches Werkverzeichnis, the Royal Swedish Academy of Music series no. 56, Stockholm (1988); an updated edition in English … Read morewith a partly revised VB numbering was published in 1998 by Pendragon Press under the title Joseph Martin Kraus. A Systematic-Thematic Catalogue of His Musical Works and Source Study. (The numbering of this work is however unchanged.) Collapse

Description of work

Overture: Largo C major alla breve

Scene 1: A group of Sicilians, celebrating Jofur’s [Jupiter] victory over the rebellious Giatns, who have dared to storm the sky. All leave, except Atis. Atis, … Read moreSicilians
Scene 2: Atis, alone
Scene 3: Atis, Cyane
Scene 4: Cyane, alone
Scene 5: Pluto and his entourage. Pluto signs to his entourage to leave. Pluto, Cyane, Pluto’s entourage
Scene 6: Proserpin [Proserpina] and her Nymphs. Ballet, whereafter they disperse and leave Proserpin allone. Proserpin, Nymphs
Scene 7: There is a glipmse of Pluto among the trees. The Spirits of the Abyss rush in on the stage, surrounding Proserpin. They take her up on Pluto’s chariot, whereafter they return to the abyss. Proserpin, Pluto, Spirits of the Abyss
Scene 8: Proserpin’s Nymphs, who have retuned with haste, are horrified at not finding her here. The First Nymph notices Ceres in the sky. The Nymphs withdraw and hide among the trees. Ceres, [First Nymph], Nymphs
Scene 9: Ceres steps down from her chariot. Ceres
Scene 10: Ceres, Nymphs, Forest Gods. All leave.
Scene 11: Ceres alone
Scene 12: Nymphs, Forest Gods, a group of Sicilians (one of whom is Atis) – all with torches in their hands – begin to search after Proserpin. They part and disappear. Atis, Nymphs, Forest Gods, Sicilians
Scene 13: Atis, alone
Scene 14: A group of Bacchantes, ’Silenes’ [creatures with both human and equine traits], Fauns, and Satyrs, celebrating the Festival of Bacchus appear from the forest and encircle Atis. They grab him, wanting to take him with them.
Balletto [sic]: Allegro A major (varying keys) 2/4
They retract into the forest. Atis, Bacchantes, Silenes, Fauns, Satyrs
Scene 15: With big steps, Atis climbs Mount Etna. He throws himself into its flames. Atis
Scene 16: Cyane rushes forward, with the aim of hindering him. She descends into the underworld. Cyane [Atis]
Scene 17: A dark and miserable wasteland. The temple of Ceres can be seen in the background. All depart. Ceres, her Nymphs, and the People of Sicily
Scene 18: Ceres alone
Scene 19: Atis and Cyane ascend from the abyss. Atis, Cyane, Ceres
Scene 20: Mercury descend in a cloud. Mercury, The Above
Scene 21: The sky opens, and Jupiter descends along with the Heavenly Gods. Pluto and Proserpin ascend from the abyss, accompnied by the Gods of the Abyss. Earth Gods. The People of Sicily. Jupiter, Pluto, Proserpin, Gods, the People of Sicily Collapse

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