Joseph Martin Kraus (1756−1792)

Æneas [Aeneas] i Carthago (Dido och Æneas) [Aeneas in Carthage (Dido and Aeneas)]

VB 23

Print
  • Year of composition: Begun in Stockholm 1781, finished there in 1791 (according to van Boer)
  • Work category: Opera
  • Text author: Johan Henric (Henrik) Kellgren (1751-1795) [after a sketch by King Gustav III (1746-1792)]
  • First performed: [At the Royal Opera according to van Boer]
    According to the libretto: '... 18 November 1799 at the Royal Swedish Academy of Music in Stockholm.'
    Contributors in the Prologue:
    Mr Folling (Aeolus), Mrs Hæffner (Juno), Mr Savenius (Neptune), Mlle Åberg (Venus), Mr Stenborg (Aeneas), Mr Lindskog (Achates)
    Contributors in the Tragedy:
    Mr Stenborg (Æneas), Mrs Müller (Dido), Mr Karsten (Jarbas), Mr Lindskog (Achates), Mr Åman (Narbal), Mrs Deland (Clelie), Mlle Frodell (Barcé), Mr Folling (Siché's shadow), Mr Crælius (High Priest), Mlle Vandonl (Iris), Mlle Åberg (Äran [The Glory])
  • Duration: More than 180 min
  • Detailed duration: Act I 60 min, Act II + III 80 min, Act IV + V 65 min (according to broadcast in SR P2 on 7, 9 and 10 January 1980)

Instrumentation

2*.2*.2.2 / 4.2.0.0 / timp, perc (cont) / str
(2 picc, 2 cor angl)
perc: cymb, sn dr, bass dr
[According to van Boer: 4 bsn, trgl and tambourine]

Solo voices/choir

Prologue:
Aeolus, God of the Winds (bass)
Juno, Jupiter's wife (soprano)
Neptune, God of the Sea (bass)
Venus, Goddess of Love, Aeneas' mother (soprano)
Aeneas, Trojan imperator (tenor)
Achates (tenor)
Choir of the Weather
Choir of Trojans

Tragedy:
Aeneas, Trojan imperator (tenor)
Dido, Queen of Carthage (soprano)
Jarbas, Numidic king (tenor)
Achates (tenor)
Narbal, Dido's commander (bass)
Clelie, Dido's confidante (soprano)
Barcé, Dido's confidante (soprano)
Siché [Siché's shadow], Dido's murdered consort (bass)
High Priest in Carthage (bass)
Jupiter, King of the Gods (bass)
Iris, Jupiter's messenger (soprano)
Äran [The Glory] (soprano)
Choir of Trojans
Choir of Carthagians
Choir of Priests and Priestesses at Juno's Temple
Choir of Hunters
Choir of Numids

7 sopranos (Dido, Juno, Venus, Clelie, Barcé, Äran [The Glory], Iris), 3 tenors (Aeneas, Jarbas, Achates), 6 basar (Aeolus, Neptune, Siché, Jupiter, Narbal, High Priest)
Female choir (S.S.A.A.), Male choir (T.T.B.B., also double), Mixed choir (S.S.T.B.)

Examples of printed editions

Libretto printed at Carl Deleen and J. G. Forsgren 1799
Musikaliskt tidsfördrif (1795) [Overture in arrangement for pianoforte]
Musikaliskt Allehanda (1824) [Duets from Act III and V]
According to van Boer the publisher Johann Traeg in Vienna published, amongst other pieces, both of the overtures and a ballet from the Prologue as separate pieces.

Location for score and part material

Handwritten score and parts at Musik- och teaterbiblioteket (the Royal Opera: Operor D 1; also film: 96:1, 97:1; some song and instrumental parts include the name of current singer/musician of the performance). There is also a handwritten score (T/Sv-R; here, the instrumental ballets of Act II Scene 2 have a partly revised numbering) as well as a piano vocal score by Newell Jenkins (T-klav/Sv).
Transcriptions can be found at the Uppsala University Library.

  • Location autograph: Uppsala Universitetsbibliotek
  • Possible call no. and autograph comment: Kapsel 57:3a, 15. Vol 5. Si-S
    Autograph for Act V, amongst others, also at Musik- och teaterbiblioteket.

Literature

van Boer Jr, Bertil H: Die Werke von Joseph Martin Kraus. Systematisch-thematisches Werkverzeichnis, the Royal Swedish Academy of Music series no. 56, Stockholm (1988); an updated edition in English with a partly revised VB-numbering was published in 1998 by Pendragon Press under the title Joseph Martin Kraus. A Systematic-Thematic Catalogue of His Musical Works and Source Study (the numbering of this work is however unchanged).
See also the registration of Kraus' Andante in D major VB 23 (earlier VB 156)

Description of work

Prologue
The stage shows a large rock in the middle of the sea. Eol [Aeolus] sits at the top, keeping Bore and his army imprisoned at his feet.

Overture: Andante con moto brusco C minor 4/4 (C)

Scene no. 1: Eol [Aeolus], Vädren [The Weather Elements]
Scene no. 2: Juno, descending in a cloud. The above.
Scene no. 3: Eol [Aeolus] releases the Weather Elements. Eol [Aeolus] gives the rock a knock with his sceptre, which shatters the rock. Bore releases the imprisoned Storms. At the back, the Trojan fleet can be seen. Eol [Aeolus], Vädren [The Weather Elements]
Scene no. 4: Neptune rises from the sea, and descends again. During the Zephyrs’ dance, Tritons and Nereids driva the Trojan ships towards the shore. Æneas, at the head of the Trojans, comes down from the cliff on which the ships have been bumping into. Neptune, Vädren [The Weather Elements] [Æneas m fl]
No. 10 Zefyros (Västanvindens) [Zephyr’s (the west wind)] ballet [instrumental]: Allegretto D major 6/8
No. 11 Najadernas och Tritonernas dans [The dance of the Najads and Tritons; instrumental]: Molto moderato D major 3/4
Scene no. 5: Æneas, Achates, Trojanerne [The Trojans]
Scene no. 6: Æneas, Achates
Scene no. 7: Venus (in a cloud), The above

Æneas i Carthago [Æneas in Carthage]

Act I

Overture: Andante sostenuto - Andante maestoso E-flat major 4/4 (C)

At the front of the stage is the forest dedicated to Juno, in the middle is the Goddess’s temple, and at the back an empty pedestal. There is also the throne of Dido.
Scene no. 1: Dido, Clelie, Barcé
Scene no. 2: Carthegians adorn the temple with flowers. Enter Æneas and some Trojans. Carthaginians, The above
Scene no. 3: The celebrations continue. March to the Temple. After the Queen’s Guards follow Carthaginian youths, then the Priests and Priestesses of Juno, carrying the offering pots, the altar and a statue of the Goddess, which are to be consecrated and placed in the Temple. Thereafter follow the Queen and her entourage. Æneas and his Trojans remain at the front of the stage while the Carthaginian youths dance. The Queen and the Priests enter the temple, and the statue is placed on the pedestal, with the altar in front. The Carthaginian youths enter the temple, adorning the altar with flowers. The Queen, her entourage and the Carthaginians exit the temple. Clelie leaves. Dido, Æneas, Achates, Trojaner [Trojans], The above
No. 4a Marsch [March; instrumental]: [no tempo marking] E major alla breve
No. 5a Gavotte [instrumental]: Allegretto ma un poco moderato C major alla breve [Kraus? according to van Boer]
Scene no. 4: Æneas kneeling on the first step of the temple. As he receives a vessel with incense from the Trojans (to be placed in the temple), a cloud descends, concealing its entrance. The peristyle is filled with thin clouds, in between the temple can be perceived. Æneas rises in shock. Æneas, Achate, Trojanerne [The Trojans]

Act II
The stage respresents a forest, dedicated to Diana. At the back, there is a mountain from which. Diana’s statue is placed at the one side of the stage.
Scene No. 1: Dido (in hunting gear)
Scene No. 2: Training for the hunt: 1. Running competition (the prize is a belt, which Dido awards one of her Nymphs), 2. Fencing (the prize is a golden spear, which Dido gives Æneas to bestowe on the winner), 3. Archery (the prize is a golden quiver, which Dido awards Æneas). Dido initiates the hunt. Dido, Æneas, Dido’s entourage (in hunting gear)
Ballets [instrumental]:
[No. 8 etc. according to van Boer] No 1. Training for the hunt: Adagio G major 3/4
[No. 9] No 2. Running competition: Con leggerezza G major 3/8
[No. 10] No 3. Air. Wrestling: Maestoso D major 3/4
[No. 11] No 4. Archery: Allegretto A major alla breve
Scene No. 3: The stage represents a grotto. Siché’s shadow, in a blood-stained whimple ascends from the earth. The grotto is filled with Loves and Pleasures, who dance around Dido and Æneas in order to lessen their fear. Æneas, Dido, Sichés skugga [Siché’s shadow], Kärlekar [Loves], Nöjen [Pleasures]
[No. 16] No. 12. Interlude "Stormen" [The Storm; instrumental]: Allegro D major 4/4 (C)
Scene No. 4: Love Gods and Pleasures, The above
[Ballet in the handwritten material of the Royal Theatre: Andante - Vivace E major – E minor – E major 2/4 - 3/4]

Act III
The stage represents the large Square in Carthage, surrounded by magnificent palaces. At the end of one of the two streets leading to the square, is the entrance to the outer courtyard of Dido’s palace.
Scene No. 1: Æneas
Scene No. 2: Æneas, Clelie
Scene No. 3: The stage resprents the audience hall in Dido’s palace. The Queen takes her throne, surrounded by her Ladies-in-waiting. The African Envoy enter, with a large entourage headed by the Courtiers of Carthage. Æneas enter, which places the Ambassador between himself and the Queen. Dido, Æneas, Jarbas (as Ambassador), Ladies-in-waiting, the entourage of the African Envoy
No. 4a March of the Numidians (Jarba’s March, according to van Boer’s previous edition; se above) [instrumental]: Allegro maestoso G major 4/4 (C)
No. 5 Jarba’s entrance [instrumental]: Tempo giusto C major 2/4
Scene No. 4: Jarbas and his entourage
Scene No. 5: The stage represents a forest of roses, consecrated to Hymen and Love. In the middle of the stage is an altar of white marble. Myrtle and roses form an avenue. Dido, followed by young Carthagenian Girls in white dresses and adorned by flowers, as well as Æneas. The Priestesses of Hymen, also in white dresses and crowns of flowers, and with torches in their hands, surround the altar. Priests and Priestesses lead Dido and Æneas to the altar. As soon as Dido and Æneas place their hands on the altar in order to utter their pledge, there is a roar of thunder and an earthquake, shattering the altar. Accompanied by thunder and terrifying lightning, the earth opens, engulfing the altar. All flee from the temple. Dido faints. Dido, Æneas, Clelie, Priests and Priestesses, Carthaginians, Trojans
No. 11 Ballet [instrumental]: Larghetto D major alla breve
No 13 1/2 [No. 13a] Dance of the Cartheginian Girls [instrumental]: Andante C major 2/4 [misprint 3/4 in van Boer’s later edition; see below]
No. 16 March of the Priests [instrumental]: Moderato G major alla breve
Scene No. 6: Äran [Glory] descends on a luminous cloud, then disappears. Dido, Æneas, Äran [Glory]
Scene No. 7: Dido (alone). She leaves.

Act IV
The stage represents Carthage’s harbour. The Trojan ships are being prepared to set sail.
Scene No. 1: Æneas arrives, mourning. On the shore, the Trojans prepare an offering to Neptune. Some Trojan women bring the offering pots, while the Trojans make an altar of coarse stones. While dancing, others throw flowers into the sea as an offering to Neptune. Achates prepares to pour wine and holy water on the altar. Mourning and seemingly not noticing what is happening on the shore, Æneas stands at the front of the stage. The women embark the ships, and the Soldiers loosen the sails. As Æneas is about to embark, Dido enters in haste, restraining him. Achates, Æneas, Trojans, [Dido]
No. 8 March [Roman Soldiers; instrumental]: Tempo di marcia D major alla breve
No. 9 March [Romans; instrumental]: [no tempo marking] D major 4/4 (C)
Scene No. 2: Dido wants to leave, but is stopped by Æneas. She leaves. He wants to follow her, but Achates stops him. Dido, The above
Scene No. 3: All embark. There is a distant war noise. Clelie enters, running. Æneas, Achates, The Trojans
Scene No. 4: With haste, the Trojans disembark. With sword in hand, Æneas takes the lead. Clelie, The above

Akt V
No. 1 Introduction [instrumental]: [no tempo marking] D major 4/4 (C)

The stage represents Carthago’s suburb. High towers and walls with terraces, crowded by citizens and troups. – This whole is a sort of mime ballet. A group of Carthaginians is pursued by a group of Africans. The Carthaginians retreat. The Numidians are attacked by a hail of arrows, and flee. A Cartheginian warriors challenges a Numid to enter into a trial by combat, which he accepts. Three, also four, warriors of each troup do the same. The Numidians seem to back down into the troup, when an arrow from the same troup is shot, injuring one of the Tyrian warriors. The battle recommences. With the sabre in his hand, Jarbas arrives, heading a new troup, forces the Carthaginians to flee into the city.
No. 9a Ballet [instrumental]: Allegro brillante D major 6/8 (according to van Boer, the music is most likely by either Kraus or Terrade)
Scene No. 1: With torches in their hands, the Africans run up and down the stage, in order to set fire to the suburbs. Carthaginian women throw themselves at their feet. Armed with bows, other try to defend themselves. Stone blocks and ladders are being carried for the storming of the city. Jarbas, Carthaginians, Numids
Scene No. 2: At the very moment when the storming is being prepared, Æneas arrives, heading his Trojans and they attack the Numidians. Simultaneously, the Carthaginians attack. The battle is fierce and Jarbas rush forward in order to challenge Æneas. They battle at the front of the stage, while the two armies are at the back of the stage. Jarbas falls, and Æneas kills him. Some Africans are being beated and flee. Seeing their King dead, the others throw their weapons and fall to the earth. The prisoners are bound and Jarbas’s corps is taken away, after Æneas having received his sword, shield and helmet. He gives them Jarbas’s weapons. The Carthaginians take the prisoners away. Æneas, Achate, The above
Scene No. 3: Æneas embarks, along with the Trojans. Achates, Æneas, The Trojans
Scene No. 4: The stage represents the courtyard of Dido’s palace. The Queen’s gardens are seen at the back, and beyond them the sea. On the one side, there is a pyle with a three legged kettle and a torch. Barcé
Scene No. 5: Dido, in deep mourning and with her hair let down. Dido, Barcé, Choir (backstage)
Scene No. 6: Narbal presents the African prisoners to the Queen, and places Jarbas’s weapons at her feet. During the celebration, Dido, worried, walks back and forth on the stage. She then climbs the pyle and noticing the Trojan fleet having set sail, she makes a cry of mourning, which disrups the ballet and terrifies the people. She pushes the dagger into her breast, falls, rises, takes the torch and set the pyle on fire. The people tries to save her, but are held back by the flames. Narbal, Dido, Barcé, Carthaginians, Numidic prisoners
No. 11b March of Carthaginians [instrumental]: [no tempo marking] C major 4/4 (C)
No. 11c Ballet [instrumental]: Adagio F major 4/4 (C) [according to van Boer, the music is most likely by either Kraus or Terrade]
Scene No. 7: Iris descends on a cloud which hides the pyle. The above
Scene No. 8: The stage represents Olympus. Jupiter, along with the other Gods, goes to welcome Dido, who is still unconcious in Iris’s arms, is laid at his feet. Apollo, Diana, Morgonrodnan [Aurora] and Timmarne [Time], as well as the other Gods who rule heaven and earth, descend to receive Dido into their midst. As they clothe her in a mantle sprinkled with stars, the sky shows her name. Ballet of the Stars. Iris, The above
No. 17a Ballet [instrumental]: Adagio B-flat major 3/4
No. 18 Ballet [instrumental]; Minuet No. 1: Andante grazioso D major 3/4; Minuet No. 2: [no tempo marking] D major 3/4 [No. 17 in van Boer’s earlier edition]
No. 19 Ballet. Ciaconna [instrumental]: Andante D major 3/4 [No. 18 in van Boer’s earlier edition]

Addition in the version of 1782:
Ballet [instrumental]: Andante un poco largo D major 3/4


Work comment

According to van Boer, Kraus received the commission 'Æneas' as a direct consequence of the success with the opera 'Proserpin' [Proserpina] and being appointed 'Vice-Kapellmeister'. This opera is mentioned in several of Kraus's letters, from 26 August, 1781 and onwards. It was intended for the opening of the new opera house, but was cancelled due to the flight from Stockholm of soprano Caroline Müller and her husband, the concertmaster, in order to avoid prison because of their debts. Kraus then revised the opera several times, in particular after having attended Piccinni's 'Didon' in Paris 1784, and endeavoured to have it staged both in 1786 and 1790, but to no avail, and it only premiered in 1799, i.e., seven years after Kraus's death.


Libretto/text

Prologue

No. 1 (Chorus): Få vi ej än vår frihet förbida? (Eol [Aeolus], Vädergudar [Weather Gods])

No. 2 (Recitative): Hvad ljufva toners sammanljud (Eol [Aeolus], Juno)

No. 3 (Aria): Låt dina stormars vreda [sic] (Juno)

No. 4 (Recitative): Gudinna, dina bud jag vörda vill (Eol [Aeolus])

No. 5 (Aria and Chorus): Gån vilda Orcaner (Eol [Aeolus], Vädergudar [Weather Gods])

No. 6 (Chorus with ballet): Låt oss vår frihet förbida (Vädergudar [Weather Gods])

No. 7 (Choirs, hidden): Se stormen oss bebåda (Trojaner/Matroser [Trojans/Able Seamen]), Må höjd och afgrund skalla (Vädergudar [Weather Gods])

No. 8 (Recitative): Hvad dån? (Neptun [Neptune])

No. 9 (Aria): I som trot[t]sig er förhäfven mot min vilja /.../ I som lätta, lätta vingar rören (Neptun [Neptune])

No. 12 (Recitative): Oss himlen räddat har, bevekt af våra böner (Æneas)

No. 13 (Aria): Citherens mägtiga [sic] gudinna (Æneas)

No. 14 (Recitative): Din bön är hörd, min son. Hör opp ifrån den grymma (Venus)

 

Act I

No. 1 (Recitative): Bland alla nöjens krets, på sjelfva segrens (Dido, Clelie, Barcé)

No. 2 (Recitative): Om han sin fordna ro i Edra tårar fann (Clelie, Dido)

No. 3 (Aria): Nej, jag ej älskar, jag förtäres (Dido)

No. 4 (Recitative): Ack! Troja är ej mer (Dido)

No. 5 (Chorus): Lef milda drottning, glad och (Clelie, Carthagienser [Carthaginians])

No. 6 (Recitative): Ett folk af stormens våld på våra stränder (En Carthagienser [A Carthaginian])

No. 7 (Chorus): Ehvar [sic] som himlen hälst [sic] behagar (Æneas, Trojaner [Trojans])

No. 8 (Recitative and aria): Gläds Trojas värda son. Ur faran frälst ni funnit - Då lycklig är af edra (Dido)

No. 9 (Recitative): Men skingra nu det qval [sic], som edra hjertan (Dido)

No. 10 (Chorus): Chartagienser låt vår sång, lyckliga hjertan (Carthagienser [Carthaginians])

No. 11 (Chorus): Alsmägtiga gudinna (Prester, Prestinnor [Priests, Priestesses])

No. 12 (Chorus): O Juno, gudars mor, låt tvädrägt [sic]  (Æneas, Carthagienser [Carthaginians])

No. 13 (Recitative): Vår drottning, till Dianas lof, idag en jagt förräta [sic] (Clelie)

No. 14 (Aria): O Juno, du hvars blick från himlens (Æneas)

No. 15 (Recitative): Förgäfves var min bön (Æneas)


 

Act II

No. 1 (Aria): Ack, för hvad plågor detta bröst sig till ett (Dido)

No. 2 (Recitative): Än för Æneas ej min kärlek yppat sig  (Dido)

No. 3 (Aria): Uti min själ jag fåfängt sluter (Dido)

No. 4 (Recitative): Ren bergens återskall till Jägerhornes dån (Dido, Æneas)

No. 5 (Chorus): Må denna dag (Dido, Æneas, Carthagienser [Carthaginians])

No. 6 (Chorus): Lekande nöjen, muntra behag (Dido, Æneas, Carthagienser [Carthaginians])

No. 7 (Chorus): Jägarens gud, lät valdhornets ljud (Dido, Æneas, Carthagienser [Carthaginians])

[No. 12 etc., according to van Boer] No 8. (Chorus): Börjom vårt lopp (Dido, Carthagienser [Carthaginians])

[No. 13] No. 9. (Recitative): Æneas för min hämnd, af Neptun räddning fådt [sic] (Juno)

[No. 14] No. 10. (Aria): Om han Italiens kuster hinner (Juno)

[No. 15] No 11. (Recitative): Men ser att min befallning göra, jag luftens nympher (Juno)

[No. 17] No. 13. (Recitative): Ni här, min drottning, för er ser en grotta, som sitt hvalf (Dido, Æneas)

[No. 18] No. 14. (Aria): Ack vet att från den första dag (Æneas)

[No. 19] No. 15. (Recitative): Jag kan ej dölja mer den låga (Dido)

[No. 20] No. 16. (Aria): Med er förenad in i döden (Dido)

[No. 21] No. 17. (Recitative): Olyckliga! skall så din (Siché)

[No. 22] No. 18. (Duet): Hvad gruflig syn (Dido, Æneas)

[No. 23] No. 19. (Chorus): Kärleks gudar, blinda nöjen

[No. 24] No. 20. (Recitative): Af outsläckligt hat ej gudars hjertan brinna (Dido, Æneas)

[No. 25] No. 21. (Chorus): Kärleks gudar, blinda nöjen

[No. 26] No. 22. (Recitative): Hvad otacksamma barn, som i er lydnad felat! (Venus, Juno)

[No. 27] No. 23. (Duo): Vet, vet, jag Olympens spira bär (Venus, Juno)

 

Act III

No. 1 (Aria): Förgäfves, kärlek mig beredda (Æneas)

No. 2 (Recitative): Ej qval och fruktan skänkt (Æneas, Clelie)

No. 3 (Aria): Du som i nödens ögonblick dess ädla bistånd fått (Clelie)

No. 4 (Recitative): Bereda hennes död! Hvem jag så nedrig (Æneas)

No. 6 (Recitative): Princessa, för er thron (Jarbas)

No. 7 (Aria): Gå drottning tag af Jarbas händer (Jarbas)

No. 8 (Chorus): Gå drottning tag av Jarbas händer (Numider [Numidians])

No. 9 (Recitative): Då jag mitt fosterland (Dido, Jarbas)

No. 9a (Aria): Gå, säg din kung, att Dido drottning (Dido)

No. 9b (Recitative): Föraktas, jag föraktas (Jarbas)

No. 10 (Aria): O gudars gud (Jarbas)

No. 12 (Duet): Ack hvad de lågor ljufligt brinna (Dido, Æneas)

No. 13 (Chorus): Må ert förbund hos gudar bifall vinna (Dido, Æneas, Carthagienser [Carthaginians])

No. 14 (Chorus): Höjom upp vår röst, att prisa och berömma (Chör af Carthagienser [Choir of Carthaginians])

No. 15 (Recitative): Man nalkas, hören upp. De helga prästers (Æneas)

No. 17 (Chorus): Sen kärleksfacklan till en tid (Översteprester, Prester [High Priests, Priests])

No. 18 (Duet): O du, som från Olympens slott (Dido, Æneas)

No. 19 (Chorus): Hvad dån! Hvad grymma lågors (Dido, Æneas, Carthagienser [Carthaginians])

No. 20 (Recitative): Æneas, har du glömt (Äran, Æneas)

No. 21 (Aria): Men du, hvars thron jag gick att dela (Æneas)

No. 22 (Recitative): Hvar är jag? Gudar! (Dido)

No. 23 (Aria): Om du så brottslig kunde bli (Dido)

 

Act IV

No. 1 (Chorus): Böljan utan vrede svallar (Trojaner [Trojans])

No. 2 (Aria and chorus): Gudar, som mig förelagt (Æneas, Trojaner [Trojans])

No. 3 (Recitative): Ni folkets längtan hör (Achates, Æneas, Dido)

No. 4 (Duet): Gå, trottsa [sic] faror, storm och haf (Dido, Æneas)

No. 5 (Recitative): Trojanerne, min prins (Achates, Æneas, Venus)

No. 6 (Aria): Till evig visshet af ditt hopp (Venus)

No. 7 (Chorus): Augustus, Augustus, att din ära (Romerska soldater [Roman Soldiers])

No. 10 (Chorus): Den magt du genom segrar vunnit (Romare [Romans])

No. 11 (Recitative): Nog af! Du finna bör hvad råd dig ägnar (Venus)

No. 12 (Chorus): Lyftom ankar, seglom af (Trojaner [Trojans])

No. 13 (Recitative): Mitt folk, mitt kära folk! (Æneas)

No. 14 (Recitative): Ack prins! Ett grufligt bud (Clelie, Æneas)

No. 15 (Chorus): Gå, samlom då vår tappra här (Clelie, Æneas, Trojaner [Trojans])

 

Act V

[No. 2 according to van Boer etc.] (Chorus): Vår styrka segra bör (Numider [Numidians])

[No. 3] (Chorus): Må blodet dessa murar färga (Jarbas, Numider och Carthagienser [Carthaginians])

No 2. [No. 4] (Duet and chorus): Mägtiga gudar, styren min arm (Æneas, Jarbas, Numider)

No 3. [No. 5] (Marsch af Trojaner [March of Trojans; Tempo di marcia D major alla breve], Chorus and Recitative): Tappre hjelte, du hvars hand frälst vår (Æneas, Trojaner [Trojans])

No 4. [No. 6] (Recitative): O gudar, styrken mig (Æneas)

[No. 7] (Aria): Gudar, i som styren, som styren menskors [sic] lopp (Æneas)

No 5. [No. 8] (Recitative): Dess välja värkställd [sic] är (Barcé)

No 6. [No. 9] (Aria): O Juno, du som öfvergifvit (Dido)

No 7. [No. 10] (Recitative): Men gudar, kan Ert hjerta lida (Dido)

No 8. [No. 11] (Chorus and scene): All vår fara har försvunnit (Dido, Narbal, Carthagienser [Carthaginians]) 
[No. 11a] (Recitative): Drottning gläds! Din thron, din ära (Narbal)

No. 9. [No. 12] (Recitative): Hvad fröjd! Hvad oförmodad lycka (Dido)

No. 10. [No. 13] (Recitative, aria and chorus): Himmel Ack! Han flyr! Han lämnar mig /.../ Förrädare! Barbar! du flyr, och lämnar (Dido, Carthagienser [Carthaginians])

[No. 14] (Recitative): Förskräckta folk (Iris)

[No. 15] (Chorus): Vår drottning hör Olympen till (Carthagienser [Carthaginians])[In van Boer's earlier edition No. 14 and  No. 15 was consolidated as No. 14]

[No. 16; earlier No. 15] (Ballet and Recitative): Kom, Dido, kom att din belöning (Jupiter)

[No. 17; earlier No. 16] (Chorus): Ljusets magter af Er lag, styres (Gudar och Gudinnor [Gods and Goddesses])

No. 11. (Choir, Iris): Ack! Sorg och fasa, se lågan rasa /.../ Förskräckta folk /.../ Vår Drottning hör Olympen til

['Kom, Dido' etc. is not included in the handwritten material of the Royal Theatre]